Merab Mamardashvili
So, abstracting the photographic image to constructive ideas enables aesthetic vision photography. This is achieved through detachment from the photographer beingness snatched from life scenes and events, resulting in a recent objectified as an image. Merab Mamardashvili said about it: 'Any construction that is relevant to art, is set in motion a kind of chained mass, through which something is produced in our soul or in our heads, and that has taken place would be a natural extension of our mental strength. " The primary objective photographer – to determine what elements of the image, light and color stains are defining it, key, agreed among themselves, and then try to fill them any constructive shape. In photography, this problem is solved by selecting from the mass spontaneously captured the negatives of those iconic structure of which is the maximum extent consistent 'resonates' with the internal structure of the stencil in the head photographer. The concept of this inner resonating structure is difficult to articulate – that's metaphysics, irrational feeling.
It can be described in words Whitman: 'There is in me something I do not know that, but I know – it's in me. The result of the mainstreaming efforts is a composite art form. It is the only 'view Transport ', with which the author's intuitive image can penetrate into the depths of the subconscious, the soul of the viewer. The main work of photographer is to improve the art form. Paradoxically, process of improving the art form works at the same time leads to the extinction of emotional excitement in the soul of an artist about the work.
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